Pixar Nails It, Again

I saw WALL-E last night and completely fell in love. There are many film critics better qualified than I to wax eloquent about the animation and the soundtrack. But what got me about the film was its approach to technology and industrialization.

To summarize, WALL-E lives on an Earth that is so covered with litter that it can’t sustain human life. His job is to clean up while the humans orbit the Earth in a space-station cum shopping mall and become fatter and lazier as they continue to buy, and throw away, more junk. But WALL-E also picks through the litter before he runs it through his compressor. He saves relics of human civilization that appeal to his sentimental side: tapes of “Hello, Dolly!,” a rubiks cube, a spork, some Twinkies for his pet cockroach, Christmas lights etc. All of these are the outgrowth, in one way or another, of the same technological and commercial trajectory that produced the mess WALL-E cleans. So, for that matter, is WALL-E.

In our current debates about globalization or climate change, we often talk as though there are two sides: humanitarian, environmentalist lefties who oppose technology and right-wing libertarians who believe it can do no wrong. Meanwhile debates about copyright or social media privacy controls often pit free culture radicals (who believe the Internet SHOULD be allowed to do everything it CAN do) against an old media establishment (who believe, the story goes, that the Internet should be allowed to do as little as possible).

WALL-E is a film that points out the middle ground in these binaries. Just because industrialization can pollute does not mean pollution is its necessary outcome. Nor does that destructive potential compel us to abandon its positive abilites, like making the computers that give us digital animation. Just because the Internet allows us to see everyone’s personal information and steal company secrets does not make those practices okay. Nor do the dangers of the digital world mean we ought to give up the convenience of the Google search.

Fitting, then, that WALL-E comes from Pixar, and thus from Steve Jobs, a titan of the digital age.